Barbara Sloan Barbara Sloan

Every Time the Play Is Performed, Someone must become Job

A Lenten reflection drawn from my book Theatre Is My Life! explores JB, Archibald MacLeish’s modern retelling of the biblical story of Job. Remembering a 1995 production at Samford University Theatre, I reflect on the role of Job as Everyman and on the questions that still echo from the ash heap: Why do we suffer? And why does God seem silent?

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Barbara Sloan Barbara Sloan

Waiting for the Next Cue

At a crossroads, the instinct is often to wait for certainty. But what if the sacred moment lies not in waiting, but in choosing? Inspired by Carlos Solórzano’s avant-garde play Cruce de vías, a pilgrimage to the Isle of Iona, and the theatre’s language of entrances and cues, this reflective essay explores how life’s turning points invite courage, transformation, and movement into the unknown.

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Barbara Sloan Barbara Sloan

Risking the Conduit

A meditation on Mozart’s birthday, Salieri’s astonishment in Amadeus, and the courage it takes to believe that creativity does not originate in us, but moves through us. If Mozart could be unruly, imperfect, and still a vessel for the sacred, perhaps the rest of us can risk creating too.

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Barbara Sloan Barbara Sloan

A Blanket, a Prop, and the Body’s Need for Safety

Using Linus’s blanket in You’re a Good Man, Charlie Brown as a theatrical touchstone, this essay reflects on actors’ relationships to costumes and props, the psychology of comfort objects, and how a simple blanket became an unlikely ally in breaking a cycle of pain. A meditation on performance, embodiment, and the need for a cozy sanctuary.

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Barbara Sloan Barbara Sloan

Lemonal: Finding the Sacred in the Ordinary

Ever had dinner change your life? Lemonal tells the story of how a simple lemon chicken meal turned into a moment of cosmic clarity — and what the Celts, Shakespeare, and Richard Rohr have to do with it.

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